2010 the year we make contact torrent - 2010

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The visuals are way behind, the music is stirring but lacklustre in comparison, the cast is big but somehow that doesn't really matter and the overall sheen just can't compare. There are so many moments in the original film that stand out but watching people walk up the walls and upside down was easily some of the most amazing to be seen. Kubrick passed on the project, which was a mistake I think, instead giving Hyams the opportunity to take the helm, a grand undertaking if ever there was one. Chandra Bob Balaban , Discovery One designer Walter Curnow John Lithgow , and s selection of Russian astronauts. This entire sequence does actually feel a lot like the opening to 'Alien 3' complete with eerie orchestral score and choir.



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Scheider definitely has the look for this movie but his style doesn't quite fit the bill for me, I can't help but picture him in gritty cop flicks or action flicks. Even though this film is a very, very competent science fiction mystery, adventure, literally every aspect of it fails to compare to the original 68 movie. Others crew members such as Curnow and Dr. That classic type of early 80's lineup that to me just feels like a Spielberg production, it just has that vibe, maybe its just me, or maybe its because of Balaban. Who'd of thought the 'death' of a computer could tug on the heartstrings so heavily. He's presumably an alien now, but did he die? These people are the best of the best for America and the Soviet Union, but the general vibe from some of the crew does tend to feel a bit like 'just another paycheck'.



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Look at this film as a sequel to Clarke's story which Clarke wrote, along with several sequels. I don't blame Hyams though, I mean lets be honest here, that Ridley Scott film changed science fiction forever, how could he not ride those coattails? Some of what we saw in '2001' was more like visualising business class travel for executives, regular living quarters in orbit for businessmen, almost like an advertisement by a space based property company. Indeed whilst watching the first half of the film you can easily see similarities to other famous 'grunts in space' type setups such as 'Alien'. Sequences where the crew spacewalk are also pretty nasty looking with obvious bluescreen symptoms present. You half expect him to be the Ash of the crew and go nuts at any moment. A ship for getting things done with little fuss, a workers ship for tough Soviets.



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The world is on the brink of destruction between the United States and the Soviet Union you have to remember this is 1984 , but there is one moment of cooperation between the two countries when there is interest to investigate the monolith and the Discovery by the Soviets. Sure this is a sci-fi fantasy, but the whole Bowman being reborn angle always did go against the highly realistic grain for me. And that it was, but boy did it look stupid and ugly! This was mainly down to practical reasons with the movie, actually being able to film things, cost etc. Who are these intergalactic super beings? Although, despite all that it was nice and very cool to see the old sets from the original film recreated for some shots on-board Discovery one, looking pretty faithful too I might add. It's only crime is that it was a follow up to 2001 and, to be perfectly honest, there is no follow up to that film.



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Lithgow is solid as usual but like Scheider does seem a little out of place in this type of serious space based picture. At the end of the day these guys and girls are on a job, a rescue mission of sorts, but also and probably more so, another scientific investigation dare I say mystery. The plot helps tie up loose ends from the admittedly confusing original, it explains some things, it straightens out some things, but overall its just a damn good sci-fi mystery that just draws you in. But the fact its even in the plot does make you kinda scoff at it, like why the hell would the Russians be so idiotic in such a serious situation when clearly the people back on Earth simply don't matter at that point. Again alas this sequel has nothing that can equal or even come close to such mind blowing visuals tricks, either interior or exterior. The first thing you need to do when watching this film is to distance yourself from Kubrick's vision in 2001. For me it was all about Balaban, this dude just has that odd look which intrigues you, is he good? Floyd Heywood Roy Scheider being the head of the National Council for Astronautics at the time, was blamed for this disaster.



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The Soviets can get there faster, but the U. The Leonov being a Russian craft could explain why it might not be quite as slick as Discovery One, less emphasis on comfort and more on practicality. Indeed it was Balaban that gave the most heart wrenching moment for me. Now although Heywood does address this, pointing out how stupid it is because what's going on back on Earth means nothing to them out by Jupiter. The effects had a more glossy animated feel to them over the more rigid and static effects in the original film which felt more like an educational film at times. In general there are many elements that just don't come close to Kubrick's earlier work.



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There was always gonna be similarities sure, but at the same time it still comes across as a modern day for the time interplanetary ship complete with fictional futuristic upgrades. Once we get past some basic plot setups for Heywood the movie literally jumps straight into space, approaching Jupiter, boom! In contrast once again you can see the strong influence of a certain Ridley Scott movie from 1979 with the long dark, intimidating, narrow corridors. The ship is often merely in shadow so you only see the basic shape and not much real detail. But these days unfortunately these effects do look pretty ropy and in no way compare to Kubrick's masterpiece despite using technology that would have been far more advanced for this sequel. Its not all bad but there are many shots with a ship composited over other images of Jupiter or the other ship and it just looks bad, really obvious with stark black lines around everything. Both he and key Kubrick collaborated with each other over both of their works, ultimately each project did end up differing slightly.



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So yes, everyone knows this film is nowhere near the levels of greatness that Kurbick and co achieved back in 1968. Chandra have more intense and personal attachments to the mission. Back in the day naturally they would have been looked upon way more favourably of course. I remember as a kid watching the swirling, cloudy planet of Jupiter and the monolith black hole, in complete awe. In other words back on Earth the Ruskies are getting a bit stand-offish with the Yanks, so they order their astronauts not to play with the Americans on the ship. Just what the hell is this guy supposed to be now?? Now whether this design is scientifically accurate in any way I don't know I'm sure it possibly is , but man.



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. Thusly models for Discovery One weren't quite as good as the original, but due to the fact the films lighting is so poor you can't really tell. So despite the first movies extremely deep, thoughtful and thoroughly scientific plot, this sequel is actually a lot more straight forward. We get a brief flashback of the plot key points for '2001' with subtitles to get everyone up to speed, which does indeed feel like its pandering to people who didn't watch or understand the original. The start of the movie tries its best to match the grandiose opening title sequence of the original but kinda fails miserably to be honest. Luckily the interior sets did not suffer quite the same fate, again they simply aren't up to the original films standard admittedly, but you could say that's down to utilising different types of craft in this sequel.

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